Gina Scaccia recently produced “Cartoonespeare,” a musical CD and an animated DVD interpreting Shakespeare’s sonnets.
The music is extraordinary; the styles vary from lyrical melodies, to monk-like chants, to country, folk, rap and blues. The musical concepts make Shakespeare’s language accessible to the most modern of audiences.
“Cartoonespeare” originated with “Love’s Not Time’s Fool,” which were wonderfully diverse theatrical interpretations of Shakespeare’s sonnets performed last spring at Rogue Community College, adapted and directed by Ron Danko and produced by John Cole.
Scaccia received her music degree from Southern Oregon University this year. Most recently she composed and performed the music for “Larry’s Best Friend” at Ashland Contemporary Theatre. We visited over tea one afternoon.
Actress/writer Lyda Woods recently directed the remarkable series of theatrical pieces, “Ripe Harvest” performed at the Ashland Senior Center in October. Her Gumshoe Gourmet, an entertainment production company, partners with historical sights to stage murder mysteries. Her next production has the intriguing title of: “A Bed, A Baby, A Door, Detroit, and a Bowel Problem.” I met Woods at the Downtowne Coffee House in Talent,
EH: For you, what is the relationship of family to theater?
LW: I think theater gives me insight into my family, my family dynamics, all that kind of stuff. Theater is a way for me to explore my family, through the pieces I write. And theater, in a sense, becomes my family. I feel very close to the actors I collaborate with and a number of them have become like family members to me. We understand each other in a way that real family members don’t.