Actor Marshall Gluskin is preparing for the Southern Oregon Theater Auditions now being held at The Oregon Cabaret Theatre. Gluskin played Malvolio in Cil Stengel’s brilliant production of Shakespeare’s “Twelfth Night” at Rogue Community College. He recently toured in Beckett’s “Waiting for Godot.” We visited over tea at the Rogue Valley Roasting Company.
EH: What’s an ideal director?
MG: A good director keeps things on a nice calm level, does not get too personally involved with the work, and carries through the intentions of the author. He has to know the craft and how to treat actors to get the best performances out of them. If everybody treats each other with respect and you have a situation that is relaxed, everybody can be themselves. Then you’re free to be the character. Rehearsals are places where you have to be able to fall on your face, and not worry about being embarrassed or called out for it. You’ve got to have that relaxation, professionalism, knowledge, and experience. It all comes into play.
Continue reading Choosing the right role
Deborah Rosenberg, professor in costume design at Southern Oregon University, is enjoying her 20th year as a faculty member of the SOU Theatre Program. Rosenberg acted in college and found herself in costume design, when she admitted to a director that she knew how to sew. I visited with Rosenberg in her office in the university’s newly expanded Theatre Building.
D.R.: I discovered that costume design gave me some distance from the stage pictures, whereas with acting, you’re in the middle of it. I found that my temperament was better served by being able to see the whole picture rather than the immersion experience from within. I could easily see that costume is too light, and that costume’s too dark, and I need more red on the rest of the stage.
We often get students who are interested in performance and discover lighting design for the very first time. It’s a glorious thing to watch a young person say, “I didn’t even know about this. And now I must know everything.” Or we have someone who comes in as a quiet, very shy person, and we watch them just grow in confidence, strength, skill and interest, and they’re standing center stage. It’s fun to watch the transformation of young people, of where they come from, mentally, emotionally, physically, to where they get to in just a few short years.
Continue reading SOU theater program: ‘We train people well’
Rick Robinson directs “Dancing at Lughnasa,” now playing at the Collaborative Theatre Project in Medford. Robinson is also managing director of the Oregon Cabaret Theatre. We met at Forage Coffee in Medford to talk about Brian Friel’s Tony Award-winning play.
Rick Robinson: This is a memory play along the lines of Tennessee William’s “Glass Menagerie.” It’s a narrator telling about his childhood, and has that dreamlike feel.
The authenticity of the piece is what drew me to it. There is warmth and humor, and there are these wonderful human beings that collide. The characters feel very real. You really love these human beings. It’s lush, it’s real, and it strikes that nerve that informs us of what it is to be human.
Continue reading Robinson can’t imagine a life doing anything else