Valerie Rachelle and her husband, Rick Robinson, have owned the Oregon Cabaret Theatre for just four years now. In addition to their considerable responsibilities at OCT, they each freelance, directing productions at other theaters throughout the United States. One afternoon, I visited with Rachelle in the restaurant area of the theater.
EH: When you launch a new production, what is your process?
VR: Obviously, I read the script, listen to the score, and then I basically work with my design team. First, I give them a sentence or two of what I want to tell the audience: I’m always trying to ask a question. I want to make sure that everyone on my team (including the actors) knows what the goal of the show is. Then, when we start creating, from the color of the paint to the buckles on the shoes, we’re all going toward that same goal. I want the audience to walk out of the theater either asking, or thinking, or feeling something really specific.
EH: Tell me about “Picasso at the Lapin Agile.”
VR: First of all, Steve Martin is a comic genius. It’s very funny, but it’s also very poignant. The play is about exploring: What is beauty? What is art? And how does that affect our everyday life? You have Einstein who says, “Science is art. It’s beautiful.” And Picasso is saying, “Visual art — painting is art.” And then, they both come together and realize each other’s beauty and the value of each other’s art. It’s kind of esoteric, but the way that Steve Martin puts it: It makes you (the everyday person) not only enjoy it and laugh at it, but also, you are swept up in — not only the dream and the emotion of what human beings can create — but what we can bring to life. And everything that we touch, and feel, and breathe, and see from the stars — to formulas on the page, to math, to art, to music — is all beauty and art, which is really cool. Continue reading The vision to produce a theater