JE: The scope of the play is huge. I assigned the cast to study subjects such as: Civil Rights; the House Un-American Activities Committee; Roy Cohen; the history of drag, and leather bars in America; the early medical and political response to the epidemic; Rock Hudson; the plagues of the 13th and 17th century. The Angel brought in charts of the structure of heaven. It’s been interesting to research the clothes of the early ’80s, and how strange they were.
The play is interesting because it is so political, so religious, so compassionate and so despicable. The range of experience is great. It’s so enormous in its scope: that you’d have ghosts and fantasies, and historical figures. Kushner was very daring to put all that into the same world.