Tag Archives: Dancer

Backstage: Character revealed by movement

Suzanne Seiber is the choreographer for Brava! Opera Theater’s “Hansel and Gretel.” Seiber holds a Master of Arts degree in dance from the University of Oregon with a focus on movement training for actors. She teaches dance and choreographs in numerous settings including the Oregon Shakespeare Festival, the Oregon Cabaret Theatre and Southern Oregon University. We chatted one morning at The Growler Guys in Ashland.

EH: How do you choreograph plays?

SS: A lot of it is character movement. As a theater choreographer you work with, “Who is this?” “What kind of movement is going to show who they are?” “What’s the mood of that particular moment?” and, “What’s going to make it pop?” It’s also about getting into patterns, to give a sense of the time, the place, the character, and then embody the music.

Suzanne Seiber is the choreographer for Brava! Opera Theater’s “Hansel and Gretel.” Seiber holds a Master of Arts degree in dance from the University of Oregon with a focus on movement training for actors. She teaches dance and choreographs in numerous settings including the Oregon Shakespeare Festival, the Oregon Cabaret Theatre and Southern Oregon University. We chatted one morning at The Growler Guys in Ashland.

EH: How do you choreograph plays?

SS: A lot of it is character movement. As a theater choreographer you work with, “Who is this?” “What kind of movement is going to show who they are?” “What’s the mood of that particular moment?” and, “What’s going to make it pop?” It’s also about getting into patterns, to give a sense of the time, the place, the character, and then embody the music.

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Daniel Stephens

Daniel Stepphens
Daniel Stepphens

Daniel Stephens plays Poole in “Jekyll and Hyde,” the provocative musical opening June 21 at Camelot Theatre in Talent. A freelance choreographer and teacher, Stephens is equipped with a bachelor’s degree in theater arts and a master’s in dance. Until 1997, he spent nine seasons with the Oregon Shakespeare Festival as a dancer, choreographer and actor. Stephens has performed in 10 shows at Camelot.

EH: What is the difference in performing in the old Camelot Theatre building versus the new facility?

DS: I think the main difference is that you don’t have to go outside the building to get to the other side of the stage. One winter, we did “Brigadoon” and I was running between scenes, in the snow, in soft shoes and a kilt.

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Alonzo Moore

Alonzo Lee Moore
Alonzo Lee Moore

Ashland Contemporary Theater currently features Alonzo Moore in Terrence McNally’s It’s Only a Play. A principle dancer with Dancing People Company, Moore is also an actor and choreographer with the Oregon Shakespeare Festival. Next season, he will be dividing his time between Ashland and his home town in Texas, where he plans to build a community art center. We chatted over Sunday brunch at Larks.

AM: I live in a very rich area in Texas, where the culture and the heritage runs deep. The families have been there together since the 1840s. It used to be cornfields, open land, and cattle. Now it’s all subdivisions and strip malls. The economy is booming down there. It’s all urban.

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Alonzo Lee Moore

Alonzo Lee Moore
Alonzo Lee Moore

Alonzo Lee Moore is a principal dancer with Dancing People Company and an actor and choreographer with the Oregon Shakespeare Festival. You can see him this week and next as Gus, the coat-checker-wannabe-actor in “It’s Only a Play,” a Terrence McNally piece I directed for the Ashland Contemporary Theatre.

Next season, Moore will be dividing his time between Ashland and his hometown in Texas, where he plans to build a community art center. We chatted over Sunday brunch at Larks Home Kitchen Cuisine in downtown Ashland.

AM: I live in a very rich area in Texas, where the culture and the heritage runs deep. The families have been there together since the 1840s. It used to be cornfields, open land and cattle. Now it’s all subdivisions and strip malls. The economy is booming down there. It’s all urban.

Within our community and within our society we’ve advanced as a people. We’ve had the civil rights movement and we’ve had all of these amazing opportunities to grow, succeed and achieve equal rights; but in doing so, I feel that we’ve lost what was driving us to strive for those things.

What’s being lost is all of the values that we grew up with, all the songs, the holidays, and the stories that we used to know. I feel that I need to go back home and preserve some of that. How else would I preserve it? I sing; I’m a dancer and an actor. Why don’t I go back and use the crafts that I have learned and enrich the youth in my community and weave the fabric back again?

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