Southern Oregon University Professor Eric Levin has been awarded a Fulbright scholarship. Levin will teach for the 2017-18 academic year at the University of Ireland in Galway and participate in the University’s International Eugene O’Neill Conference. I met with Levin in his office on the SOU Campus.
EH: Tell me about your Fulbright project.
EL: The purpose of the Fulbright is to increase academic interaction internationally and to exchange cultural views. We’re trying to create relationships with schools in Europe. I’m hoping to travel in Britain and the Continent to sample some of their theater techniques. I’m going to explore the Abbey Theatre in Dublin, and I want to meet with the Accademia dell’Arte School in Italy. There are lots of possibilities; I just have to lay groundwork for all of them.
Hopefully we’ll be able to bring people from Europe to teach and students to learn. At the same time, our students will have opportunities to get support from European colleges — professional internships — where they can go overseas and study. Continue reading Backstage: What’s the value of a theater arts education?
Oregon Shakespeare Festival actor Michele Mais plays Mistress Quickly in “Henry IV, Part 1” and “Henry IV, Part 2.” Next season she will again be playing Mistress Quickly in “Henry V.” Mais, a veteran of Broadway, has also performed with the Cornerstone Theater Company. We met at Hearsay in Ashland.
EH: Do you subscribe to particular style of acting?
MM: I don’t think there’s only one way of dealing with it. You do a little Stanislavsky; sometimes you do outside-in acting, physicality. The choices are: Do you hit the pillow because of some emotional need to hit the pillow? Or, while you’re hitting the pillow, is this emotional need coming out? That’s always the question. Sometimes it’s being in a certain costume or footwear.
EH: Tell me about acting at Cornerstone Theater with Bill Rauch.
MM: We did some weird shows. One of my favorite was when we did the speeches from “Everyman” in the mall. We had the shoppers follow us. We started out with maybe four people trailing along, and by the end of it, there were about 200 people. The audience was on the journey with us. They became “Everyman.” Continue reading Backstage: Acting can open doors to possibilities