After eight seasons with the Camelot Theatre, Artistic Director Roy Von Rains feels very lucky that he’s been able to work with some of conference room to reflect on the unique experiences intrinsic to “community theater” and its impact on society.
RVR: As humans, we are storytellers. People have said that the oldest profession is prostitution. I absolutely disagree. I think storytelling is the oldest profession. It’s been around since painting on cave walls, and it will probably continue to permeate society as we travel through the stars. It’s such an important part of who we are. Continue reading Backstage: Oldest profession? It’s storytelling→
Actor/Writer Cynthia Rogan will perform in Camelot Theatre’s next production, “Calendar Girls,” opening Feb. 8. Based on a true story and popular movie, the play tells about the making of a pin-up calendar by photographing ordinary middle-aged women. Rogan, a former blues singer from Mobile, Alabama, writes, acts, and performs improvisational theater in the Rogue Valley. We met at Starbucks on Bartlett Street in Medford.
EH: Tell me about your experience with improvisational theater.
CR: That is some scary stuff. You have to know when to start on something else. If it is not good, it is horrid. When you are in the moment, you don’t always know if it’s not working.
H: What do you do to prepare?
CR: Practicing with the people you’re working with is all you can really do to prepare for it. And even then, you never know what the audience is going to throw at you. The group you’re playing with has to be your net. If someone starts to fall, you catch them, and you give them something else to look at, to keep the members of the troupe going and to keep the audience interested. Improvisation is exhilarating. Continue reading An artist’s responsibility to say something→
Livia Genise, former artistic director of Talent’s Camelot Theatre Company, is now directing the musical “Chess” for Ashland Contemporary Theatre. It opens in September.
Genise, a veteran actor of Broadway, off-Broadway, regional theater and Hollywood, first came to Ashland in the 1980s. She raised her children and earned a degree in music from Southern Oregon University before she took on the directorship of Camelot Theatre.
During her 10-year tenure at Camelot, Genise fostered the enormous growth of the organization and mentored a generation of young theater artists.
“Les Miserables,” directed by Renee Hewitt and playing now at Camelot Theatre in Talent, is a stunning production. Lasting more than three hours, with 33 cast members, the production is so powerful that you barely notice that all of the dialogue is sung.
Although she is an accomplished actor, this is Hewitt’s maiden voyage as a director. We visited at the Camelot Theatre one Sunday afternoon.
EH: How did you get such great performances from your cast?
RH: It’s such an incredible story and it is very moving. I think that I let myself be vulnerable and I let them see how much intention I have. It’s such a great cast. They’re such great people.
In Camelot Theatre’s musical production of “The Producers,” the role of Ulla Inga Hansen Benson Yonsen Tallen-Hallen Svaden-Svanson, the stunning Swedish singer/ secretary/ receptionist, is played by Kelly Jean Hammond. The production features a number of stellar performances and a great ensemble cast.
Hammond, a graduate of Ashland High School, earned a bachelor’s degree in music from Notre Dame de Namur University and did some post-graduate studies at American Conservatory Theatre in San Francisco before returning to Ashland, where she now works as a buyer at Paddington Station by day and performs musical theater at night. We met at Starbucks in downtown Ashland.
In The Camelot Theatre’s production of “The Producers,” Nathan Monks plays Franz Liebkind, a volatile former Nazi who wrote the “worst play ever written,” “Springtime for Hitler.” A trained actor and singer, Monks is new to Camelot Theatre. We met at Starbucks on Crater Lake Highway in Medford.
NM: I’ve been fortunate enough to be cast in multiple shows for the upcoming year. I’m very excited about that.
EH: What was the audition process like?
NM: We were asked to prepare about a 2-minute monologue and 16 to 32 bars of a song. Then they gave you a slip of paper with just a single musical line on it and the starting pitch. They asked you to sight read it: a little testing of your overall ability to read music.
Camelot Theatre’s next production features Shirley Patton and Steven Dominguez in the Pulitzer Prize-winning play “Driving Miss Daisy.” The play explores the growth of a friendship between an elderly white Southern lady, Miss Daisy, and her African-American chauffeur, Hoke Colburn, during the 1960s and ’70s.
Patton came to the Oregon Shakespeare Festival at the invitation of Angus Bowmer in 1958. Her career as an OSF actor spanned 30 years. Before coming to Ashland, Dominguez spent 20 years as a professional actor in New York City. One afternoon, the three of us chatted at Boulevard Coffee.