Bringing music to children at home

Kay Hilton, Education & Engagement Director of the Britt Music & Arts Festival, is continuing her free music education programs online.

Until the COVID-19 shutdown, Hilton was in charge of: Residencies, bringing musicians into schools; Fellowships, in which students with Britt Orchestra members perform outreach chamber concerts in the community; Internships and partnerships with educational and like-minded organizations; BrittKids Koncert series, performances for children in the Britt Performance Garden; and BrittKids Klub, members are 5 or 6 years old.

EH: How did this online idea evolve?

KH: I had seen other education artists doing video content. I thought, “That’s something we can do.”

I started reaching out to all the artist that I have had come through the education department for residencies, performances, fellowship programs, members of our orchestra, anybody that I thought might be available and interested in helping us make something. At that point we had no budget because we didn’t know where we stood. I wasn’t able to offer any money at all.

I had a few local artists and members of our orchestra step up right away. We branded it BrittVids. I started putting those up on social media, and we got really good response. Then I asked, “Can we provide some kind of honorarium for the artists?”

It’s important for us to provide content for our patrons and community, keeping Britt in front of our audience. I want to keep these musicians in front of our audience too, to remind people that we’re all struggling, but these people are really struggling. Their industry is shut down everywhere, for who knows how long?

I did get approval to reimburse the artists for their time, for making the videos. We’ve been doing that twice a week since April 9th, and will continue to do that through the end of September. Continue reading Bringing music to children at home

Bilingual, outdoor children’s theater at CTP

Steven Dominguez, a director at the Collaborative Theatre Project, has recently produced the first play of the Act Out Children’s Theatre, with a bilingual English/Spanish adaptation of the book by Maurice Sendak, “Where The Wild Things Are.” The production, with child actors, bilingual narrators and papier-mache monsters, was delightful.

Dominguez received a bachelor’s degree in acting from City College of New York and went on to a 20-year acting career in New York. He worked with Joseph Papp in the Public Theater and performed on Sesame Street. We visited on Zoom.

EH: How did you first get interested in theater?

SD: I found it in high school. It was a high school musical. It saved me, because I was not sure what direction to go in my life. Then I ended up spending most of my adult life training and acting. Continue reading Bilingual, outdoor children’s theater at CTP

Teddy Abrams discusses orchestra’s new projects

Teddy Abrams, music director and conductor of the Britt Festival Orchestra, recently announced Britt’s new online presence. Now, we can stream videos of past Britt performances previewed by the artists’ comments on each piece.

A new work premieres at 3 p.m. every Friday through August on Britt’s Facebook page. Abrams and I talked on Zoom.

EH: What’s new with the Britt Orchestra?

TA: We’ve moved almost everything that Britt is doing online in a few different formats. The education side and the orchestra side are the big public-facing parts of Britt that we wanted to keep alive in a meaningful way. What we thought, for this year, is to go through our archives and choose some of our really special performances, and then to present each performance with a special introduction that

would be: an interview with the guest artist, or the composer, or members of the orchestra, and myself. This is an online profile that we’ve never had. Continue reading Teddy Abrams discusses orchestra’s new projects

Britt Festival Orchestra talks music in a new era

Teddy Abrams, Music Director and Conductor of the Britt Festival Orchestra is also Music Director of the Louisville Orchestra in Kentucky. Abrams, members of the Louisville Orchestra, and other prominent musicians have been performing at the Britt Festival for the past eight years.

This year, we can stream live videos of past performances preceded by a discussion with Abrams, orchestra members, and guest artists at 3 p.m. every Friday through August on Facebook’s Britt Music and Arts page. Abrams chatted with me from Louisville over Zoom. This is part one of a two-part column. The second will be published on Aug. 17.

EH: What are your current activities?

TA: We are planning the season for next year, which is taking a very complex form of what we call: “The Season of Innovation and of Public Service.” Continue reading Britt Festival Orchestra talks music in a new era

‘The Odd Couple’ stars call play a ‘bro-mantic comedy’

Rick Robinson and Stephen Kline play Oscar Madison and Felix Ungar in “The Odd Couple” on stage at the Oregon Cabaret Theatre through Sept. 6, 2020. In Neil Simon’s hilarious comedy, mayhem ensues when two friends with opposite personalities move in together. I visited with Robinson and Kline on Zoom.

EH: What’s the significance of laughter?

RR: It is good medicine. I think it’s something that’s missing during this difficult, heavy, weighty time. It’s good for your soul and good for your health.

EH: What’s the chemistry between Felix and Oscar?

RR: It’s sort of a bro-mantic comedy. There’s tumult. And the chemistry between the two characters is as important as in a romantic comedy.

SK: What’s unique about the two men is that they have gone through the same experience of separation, but they have responded in two completely different directions. The Yin and Yang is what helps them help each other with what they’ve been through. Continue reading ‘The Odd Couple’ stars call play a ‘bro-mantic comedy’

Oregon Cabaret Theatre rolls with the punches

Oregon Cabaret Theatre is opening for theater and dining. I chatted with Artistic Director Valerie Rachelle one recent morning on Zoom.

VR: We are opening July 16. We got the green light from the state of Oregon and the governor’s office, that live theater can happen here. They have guidelines that we are going to follow. Since we have restaurant seating, it’s a lot easier for us to have parties together that can then socially distance from everyone else. I’m so glad that we have our beautiful, lovely, large theater of 6,100 square feet, because we can really distance people. The third row of the audience is now our front row. The patrons are 12 feet in all directions from the stage, and then six feet around each other to separate the parties. The restaurant will be functioning.

We have permission from the state that actors don’t have to wear masks on stage during the show, but we are going to ask that the audience members do wear their masks while the actors are on stage. Continue reading Oregon Cabaret Theatre rolls with the punches

Fringe Festival directors pivot to virtual Fringettes

The Oregon Fringe Festival has gone virtual this year with Volumes of Fringettes playing monthly on You Tube.

The Oregon Center for the Arts has traditionally produced the Oregon Fringe Festival as a multi-day event in the spring to “celebrate unconventional art in unconventional spaces.”

After the cancellation of the 2020 Fringe Festival, the event’s production team began producing monthly video premieres called Fringettes. I met co-directors Paige Gerhard, Jade Hails and Jared Brown one afternoon on Zoom. Continue reading Fringe Festival directors pivot to virtual Fringettes

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