Christopher George Patterson stars in “Ain’t Misbehavin’,” featuring the music of Thomas “Fats” Waller and directed by Jim Giancarlo and choreographed by Giancarlo and Patterson. It’s playing at the Oregon Cabaret Theatre until Aug 31. Patterson and I chatted one afternoon over tea and lemonade at the Standing Stone Brewing Co. in Ashland. This is the first of a two-part interview.
CGP: The interesting thing about “Ain’t Misbehavin'” is that it tells the story through the tapestry of the Harlem Renaissance without digging in too deeply.
EH: What’s your process of choreographing a show?
CGP: I’ll read the script to see what’s supposed to happen. I usually listen to the music over, and over, and over again, and let it talk to me. The music tells you what to do and how to get there through telling the story through the dance. If you know what the story is, all you have to do is fill in the gaps with the steps. It’s almost like playing in an orchestra: The score is there, but you create the dynamics, and that’s what makes people want to engage in watching it.