Art Prof Uses Imagery to Teach

Jeffrey Scudder, assistant professor of art at Southern Oregon University, creates dynamic presentations with exquisite imagery for his lectures and performances. An internationally known figure in the art world, Scudder holds a Master of Fine Arts in Sculpture from Yale University. He teaches in SOU’s Emerging Media and Digital Arts program, telling stories with pen and paper, while instantaneously capturing and creating post-expressionist images, with a host of newly developed computer software. We met at Case Coffee Roasters on Siskiyou Boulevard.

EH: Tell me about your productions.

JS: Since I come from computer art, I do a lot of performance without computers, a lot of drawing and telling stories. I transform things. I change from one image to another: A morphing image with a morphing story. Lately, I have been doing a lot of drawing with sound. Performing while drawing and talking simultaneously. These are modernist ideas of connecting drawing and sound.

Sometimes in order to understand what’s happening with computers or technology, you have to use a different medium to describe it. You want it to be in the background so that you can focus on the conversation.

People don’t usually think of computer art as something that requires a physical presence. I’m spearheading a movement to create more intimacy through computer art. I’m often drawing on paper, but I’m talking about video games. I am creating a form of intimacy by not actually playing the video game. Instead I’m talking about ideas using another medium.

When I perform, I like to create a setting, like a chamber music performance. I use a lot of candles, there’s music playing, sometimes snacks. I like the audience to feel that they are part of the action so that people feel at ease, so that they are ready to take in images and let things happen.

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Ginger Eckert on voice and speech

Ginger Eckert is an assistant professor of theater at Southern Oregon University in the area of performance voice and speech. You may have appreciated her work with Oregon Center for the Arts productions of “Hedda Gabler” and “Angels in America Part Two: Perestroika.”

We met for a conversation in her office on the SOU campus.

EH: What is your approach to coaching voice and speech?

GE: There’s all the speech stuff: The phonetics and making sounds at the right times, in the right ways, in the right rhythms and patterns. Then we are working on being honest and revealing when we speak, so that I can feel you, and I can understand you in a very specific way.

EH: What are the dialects used in “Angels in America?”

GE: There’s Russian, British RP (neutral) accent, Yiddish; Roy Cohn has a Bronx New York, Jewish accent. We call his particular way of speaking an idiolect. In the world of accents, everybody has their own accent or their own way of speaking. Dialect follows a group pattern. The way a particular person speaks is called their idiolect. There’s a huge factor now of actors playing real people. Whether they capture that person’s speech patterns would be inside of that person’s idiolect.

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