Teddy Abrams, music director and conductor of the Britt Festival Orchestra, recently announced Britt’s new online presence. Now, we can stream videos of past Britt performances previewed by the artists’ comments on each piece.
A new work premieres at 3 p.m. every Friday through August on Britt’s Facebook page. Abrams and I talked on Zoom.
EH: What’s new with the Britt Orchestra?
TA: We’ve moved almost everything that Britt is doing online in a few different formats. The education side and the orchestra side are the big public-facing parts of Britt that we wanted to keep alive in a meaningful way. What we thought, for this year, is to go through our archives and choose some of our really special performances, and then to present each performance with a special introduction that
would be: an interview with the guest artist, or the composer, or members of the orchestra, and myself. This is an online profile that we’ve never had. Continue reading Teddy Abrams discusses orchestra’s new projects
Teddy Abrams, Music Director and Conductor of the Britt Festival Orchestra is also Music Director of the Louisville Orchestra in Kentucky. Abrams, members of the Louisville Orchestra, and other prominent musicians have been performing at the Britt Festival for the past eight years.
This year, we can stream live videos of past performances preceded by a discussion with Abrams, orchestra members, and guest artists at 3 p.m. every Friday through August on Facebook’s Britt Music and Arts page. Abrams chatted with me from Louisville over Zoom. This is part one of a two-part column. The second will be published on Aug. 17.
EH: What are your current activities?
TA: We are planning the season for next year, which is taking a very complex form of what we call: “The Season of Innovation and of Public Service.” Continue reading Britt Festival Orchestra talks music in a new era
Composer Christopher Cerrone’s percussion quartet concerto, “Meander, Spiral, Explode,” will be performed with Third Coast Percussion at the opening concert of the Britt Festival Orchestra season, which runs July 26 to Aug. 11.
I chatted recently with Cerrone about the origins of his music.
CC: I think I’ve had music coursing through my veins as long as I can remember. My mother told me a story of her giving me a 45 rpm record player. And I used to listen to the same Lionel Richie song over and over again. That was in about 1986, when I was 2 years old.
I’ve studied all kinds of music. I initially studied classical piano. Then, as I got older, I learned electric guitar, which was a very suburban angst thing to do — to be in a rock band. Then I learned jazz piano. And then I eventually came back to classical music. I became interested in orchestral music, playing the double bass in my high school orchestra. At the same time, I began dreaming of composing. Continue reading The origins of Christopher Cerrone’s music
Teddy Abrams, music director of the Britt Orchestra and a world renowned composer, pianist and clarinetist, will conduct The Britt Orchestra this season (July 25 to Aug. 11) in Jacksonville. This is the second of a two-part column. The first was published on May 26.
EH: How does music influence politics?
TA: It’s one of those questions of whether art imitates life or vice versa. You look at eras of American history and you see remarkable relationships between history and music, or politics and music — even beyond that, sociology and music. The defining characteristics of a lot of cultures are in fact their music making and their cultural output – those are binding elements.
Music is a way of conveying essential information, a way of defining identity. Especially in America, where our music comes from so many different places. We’ve often used it in ways to help us sort out our identities — and we see that over and over.
Jazz is one of the great examples of a music that is built on many different influences. But it’s this ultimately defining African-American music that could only exist (here), given the political circumstances of America. And that continues to this day.
Music is both political and apolitical. The protest songs of the Vietnam era probably had as much influence on people’s thinking about politics as anything. You had these bands and singer-songwriters with massive reach, and trust that they built, and people really listened to what they were saying, in a way that they may have ignored listening to other activists or speakers or politicians. Somebody could listen to a Bob Dylan song or Beatles song with a very specific message, but if they didn’t speak the language, they could still appreciate the music making. Continue reading The Britt — A beautiful experience in a community atmosphere
Teddy Abrams, music director of the Britt Orchestra, has been has been conducting orchestras since he was 10. Now in his early 30s, Abrams conducts the Britt Orchestra in Jacksonville, is music director of The Louisville Orchestra, and has appeared with prominent orchestras around the world. I met with Abrams and Mark Knippel, Britt’s director of artistic operations, as they were planning their coming season.
MK: There’s been quite an exciting development. The piece that we commissioned turned out to be much longer and more intense than we thought it would be.
TA: It’s a 50-minute giant song cycle, with back-up singers, and all kinds of interesting instruments. It’s a piece about homelessness: It’s a significant issue in Southern Oregon. Gabriel Kahane’s “emergency shelter intake form” is almost musical journalism; he spent time with the homeless population. Continue reading Britt commission turns out to be about homelessness