All posts by Evalyn Hansen

I'm a theater buff. I am passionate about theater. I see as many plays as I can as often as I can. I go to lectures, previews, prefaces, backstage tours, dramatic readings, dress rehearsals, post matinee discussions, talks in the park and an occasional cast party. If I'm not there, I would like to be. I have my BA in dramatic arts from UC Berkeley, my MA from San Francisco State and I'm currently studying directing at Southern Oregon University. I volunteer for the Oregon Shakespeare Festival, and recently I understudied a walk-on part in "Trip to Bountiful" at Oregon Stage Works.

Lyda Woods

Lyda Woods
Lyda Woods

Actress/writer Lyda Woods recently directed the remarkable series of theatrical pieces, “Ripe Harvest” performed at the Ashland Senior Center in October. Her Gumshoe Gourmet, an entertainment production company, partners with historical sights to stage murder mysteries. Her next production has the intriguing title of: “A Bed, A Baby, A Door, Detroit, and a Bowel Problem.” I met Woods at the Downtowne Coffee House in Talent,

EH: For you, what is the relationship of family to theater?

LW: I think theater gives me insight into my family, my family dynamics, all that kind of stuff. Theater is a way for me to explore my family, through the pieces I write.  And theater, in a sense, becomes my family. I feel very close to the actors I collaborate with and a number of them have become like family members to me. We understand each other in a way that real family members don’t.

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Ruth Wire

Playwright Ruth Wire is a Member of the Board of the Directors of the Ashland Contemporary Theatre. Wire has written numerous plays and screenplays. Her latest full length play, “A Modern Woman” was produced by Oregon Stage Works. She also leads Haywire Writers’ Workshop in Ashland. We met at the Bellview Grange where she was making preparations for the theater to open the new comedy by David Hill, “Larry’s Best Friend”.

EH: What drives people to do theater?

RW: It’s an enhanced kind of living.  What the playwright has done is to distill experience into a two-hour or fifteen minute glob, so that it’s all very pure, and it’s all very dramatic. Whereas you can go for years and nothing happens to you, then something big happens like somebody dies or they’re divorced or whatever. But in a play, it happens in two hours. And what I like about it is, if it’s a good play, it leaves you wringing wet; your heart’s pounding and you’re with those characters. You cannot leave them, It’s impossible. You’ve gone through an experience and you’ve learned something.

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Dayvin Turchiano

Dayvin Turchiano
Dayvin Turchiano

You may have seen actor Dayvin Turchiano in “Deathtrap” and “Glenn Gary Glen Ross” at Oregon Stage Works. Most recently he starred in “I Hate Hamlet” and will be appearing in “A Few Good Men” at the Camelot Theatre which opens February 2, 2011. Turchiano is also a computer software entrepreneur and an Asst. La Cross Coach at SOU. With his B.A. in Theater, Dayvin studied acting at the American Conservatory Theater and film acting at Yale. Turchiano chose to live in Ashland where he could enjoy family life and still be involved in theater. We met over lunch at Dragonfly in Ashland.

DT: My dream is to work with a company of actors in repertory, do different shows and perform a wide variety of work, even a small company. It doesn’t have to be a huge organization. I enjoy working with the same actors time after time, developing ideas in rehearsal, that’s the fun part.

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Robin Downward

Robin Downward
Robin Downward

Robin Downward, a gifted actor and theatrical entrepreneur, is currently planning SHREIK-TOBERFEST 2010, his big-themed theatrical Halloween event to happen in downtown Medford during late October.  Robin’s year-round project is the establishment of the community based Randall Theatre Company, whose mission has expanded to include art therapy programs. When we met at the Higher Education Center at Rogue Community College, Robin gave me an update on SHREIK-TOBERFEST 2010.

RD:  It’s sort of a traditional walk-through type haunted house with a lot more theatrics to it and a lot more lighting, sound, and plot-line. It’s this inter-active creepy experience with iconic October characters. The interactive experience expands the boundaries of the theater crowd.  The audience is subjected to theater through these events, even though they don’t know it. If I can sneak theater in somehow and entertain people, then my job has been done.

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Mike Jensen

Mike P. Jensen
Mike P. Jensen

I met Shakespeare scholar, Mike Jensen, and his wife, Cydne, while we were dining family-style at the exquisite new restaurant, Blue, Greek on Granite.  Jensen recently lectured at the Oregon Shakespeare Festival about OSF’s radio show, which aired between 1951 and 1984. He will be co-teaching a class on Shakespeare and Modern Culture with Geoff Ridden at Southern Oregon University this fall. This is an on-line interview.

EH: Shakespeare and popular culture, what’s the latest?

MJ: A Manga (a Japanese comic published as a paperback book) has just been released called Romeo X Juliet that sets the R&J story in a future repressive state with Juliet as a Zorro figure leading the rebellion; and I’m investigating the Japanese animated TV series that originated it.

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Presila Quinby

Presila Quinby has performed at The Oregon Shakespeare Festival,The Cabaret Theatre,and  Oregon Stage Works. At the Camelot Theater, Presila played The Widow in “Zorba”, Mama in “I Remember Mama”, Peggy Lee in ”Spotlight on Peggy Lee” and numerous other roles. A veteran of Broadway musical theatre, the attractive diminutive Presila would be perfect to portray Anna in “The King and I”.

As we sat in the shade at Ashland’s Rogue Valley Roasting Company one summer afternoon, Presila, a former ballerina, told me about her current project: choreography for Ashland Community Theatre’s new musical, “Illyria” based on Shakespeare’s “Twelfth Night”.

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Ian Swift

Ian Swift
Ian Swift

IS:  It’s so true, with acting; it doesn’t matter whether you are an extrovert or an introvert.  Even if you are an introvert you can be a very good actor, because you can hide behind that character.  I was an introvert most of my high school and college life as I recall, very quiet and kept to myself, but when I was on the stage I felt that I came alive, and I think that is true for a lot of actors.

EH:  What is it that is unique about theater?

IS:  I think it’s something you don’t do by yourself; it’s something that you have to involve others in.  Even if you are doing a one man show, you still have a producer, a light crew, sound, whatever.  It’s a team effort.  It’s unique in that respect.  It is a team sport.  With painting, composing, writing, it’s a solo thing.

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