All posts by Evalyn Hansen

I'm a theater buff. I am passionate about theater. I see as many plays as I can as often as I can. I go to lectures, previews, prefaces, backstage tours, dramatic readings, dress rehearsals, post matinee discussions, talks in the park and an occasional cast party. If I'm not there, I would like to be. I have my BA in dramatic arts from UC Berkeley, my MA from San Francisco State and I'm currently studying directing at Southern Oregon University. I volunteer for the Oregon Shakespeare Festival, and recently I understudied a walk-on part in "Trip to Bountiful" at Oregon Stage Works.

Claudia Alick

Claudia Alick
Claudia Alick

Claudia Alick has found the key to success with her eclectic selection of performers for the Green Shows, the early-evening performances on the Courtyard Stage at the Oregon Shakespeare Festival. As we lunched at Dragonfly, Claudia told me how she goes about it.

CA: We love for the audience members to write us notes. It’s the only way we know if we are on the right track. We also have an open submission policy. It’s a democratic way to curate a show. It opens me up to acts that I would never get to find out about. Just go online, write us a note, tell us what your act is and you’re in the running. I also encourage people to go to the Green Show group on Facebook. That’s just another way to become part of the conversation.

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Claudia Alick

Claudia Alick
Claudia Alick

Claudia Alick is the Oregon Shakespeare Festival’s community associate producer. She organizes the Green Shows, the free performances that take place every evening on the Courtyard Stage before the regularly scheduled OSF plays.

Under Alick’s direction, the Green Shows have become an eclectic series of performances. She selects artists from the local community and from around the country. We met over lunch at Dragonfly Restaurant.

EH: Is your background in theater?

CA: Yes. I got my undergraduate degree at George Washington University; I was a theater major there. I got my graduate degree at New York University in performance studies, which is an interdisciplinary program that not only looks at the performances that happen on stages, you also study performances that happen everywhere — the performance of tourism or ritual as performance. I found it extremely helpful information for my job.

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John Stadelman

John Stadelman’s hilarious performance as the obsequious yet self-important Vice Principal Douglas Panch in the “The 25th Annual Putnam County Spelling Bee” is truly unique. I was curious as to how he prepared for the role.

John sings with the Southern Oregon Repertory Singers. He performed at the Oregon Shakespeare Festival for six seasons. He has directed theater up and down the West Coast, at Ashland High School and the Oregon Cabaret Theatre.

A Stanford graduate, John graduated from law school at the University of Southern California before pursuing a career in film and theater. John is also a landscape designer; the name of his company is Green Man Gardens.

We met in the Oregon Cabaret Theatre’s elegant restaurant section on a weekday afternoon.

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DaRon Lamar Williams

DaRon Lamar Williams
DaRon Lamar Williams

At 29, DaRon Lamar Williams has found success in show business. He’s played in theater Off Broadway, toured nationally with “Jesus Christ Superstar” and performed with Michael Jackson on video.

In Oregon Cabaret Theatre’s “The 25th Anniversary of the Putnam County Spelling Bee,” Williams plays Comfort Counselor Mitch Mahoney, who delivers hugs and juice boxes to the losers. We got together at Starbucks on Main Street one afternoon.

EH: Were you always interested in theater?

DW: I grew up watching “The Wiz.” As a little 4-year-old, I learned all the choreography and all the dialogue. I would cast kids from my grandma’s day care, and we would do it in the garage. I would make my grandma and her friends come to watch. Everyday it was a different scene from “The Wiz” or a dance number or something. I knew even then that, in some shape or form, I’d be doing this the rest of my life. I used community theater and community bands as my creative outlet. Then I decided to move to New York.

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Renee Hewitt

Renee Hewitt
Renee Hewitt

Renee Hewitt plays Rona Lisa Peretti, the successful lady Realtor and former spelling champ, in “The 25th Anniversary of the Putnam County Spelling Bee,” now playing at Oregon Cabaret Theatre.

A mother of two young boys, Hewitt credits her “great husband” for her ability to balance her family life and theater.

“I always say that my success is my support system,” she said.

We met for supper at Dragonfly restaurant one evening before a performance.

EH: How did you get started in theater? Was it high school?

RH: Actually it was. I have been singing since fourth-grade. My mom has always sung around the house and been involved in choirs now and then. That’s kind of where I get the singing from is her. I took dance for 20 years, but I don’t consider myself a dancer. I didn’t actually start acting until my junior year in high school. I just fell in love with it. I just absolutely revel in getting into characters, and figuring out somebody’s head and how they work and why they respond the way they do.

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The 25th Annual Putnam County Spelling Bee

From left, top row: Rebecca Denley, Tim Homsley, Chris Carwithen. bottom row: Rachel Seeley, James David Larson, Beatriz Abella
From left, top row: Rebecca Denley, Tim Homsley, Chris Carwithen. bottom row: Rachel Seeley, James David Larson, Beatriz Abella

A zesty combination of improvisation and musical comedy, “The 25th Annual Putnam County Spelling Bee,” now playing at Oregon Cabaret Theatre, presents a surprising and endearing event steeped in laughter.

Pre-teens naturally see themselves as eccentrics, misfits and outsiders as they navigate the painful path through puberty to adulthood. The vulnerability and youthful angst of 10- to 12-year-olds are magnified with raucous results when energies are focused on the goal of winning a national spelling contest.

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Do Talk Back

Peter Alzado
Peter Alzado
Jeff Golden
Jeff Golden

During the play series “Things We Do” at Oregon Stage Works, there were lively audience post-play discussions surrounding issues related to the Israeli-Palestinian conflict. I met with director Peter Alzado and moderator Jeff Golden at the theater to discuss the nature of “talk-back” theater.

JG: I think this is a terrific use of theater. This is really exciting. I think it is timely (and not just for this topic) because most forms of media are trying to figure out how to be interactive. We are in a massive cultural shift from experts telling us how it is and lecturers revealing the truth to us and top-down transmission of knowledge and entertainment to interactivity. And you see it everywhere, most obviously on the Web. I think it’s healthy that we’re transcending division between audience and performer. It’s easier in some media than in others. I feel very strongly about this. It aligns with a new world where we no longer have a select group of experts who can tell us how to do everything. We have to solve what’s coming up collectively, with effort, and thought, and investment from everybody. That’s part of Obama’s “Yes We Can.” I see it everywhere. This was a really good way for this theater to take a step in that direction.

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