Category Archives: Interview

Ruth Wire

Playwright Ruth Wire is a Member of the Board of the Directors of the Ashland Contemporary Theatre. Wire has written numerous plays and screenplays. Her latest full length play, “A Modern Woman” was produced by Oregon Stage Works. She also leads Haywire Writers’ Workshop in Ashland. We met at the Bellview Grange where she was making preparations for the theater to open the new comedy by David Hill, “Larry’s Best Friend”.

EH: What drives people to do theater?

RW: It’s an enhanced kind of living.  What the playwright has done is to distill experience into a two-hour or fifteen minute glob, so that it’s all very pure, and it’s all very dramatic. Whereas you can go for years and nothing happens to you, then something big happens like somebody dies or they’re divorced or whatever. But in a play, it happens in two hours. And what I like about it is, if it’s a good play, it leaves you wringing wet; your heart’s pounding and you’re with those characters. You cannot leave them, It’s impossible. You’ve gone through an experience and you’ve learned something.

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Dayvin Turchiano

Dayvin Turchiano
Dayvin Turchiano

You may have seen actor Dayvin Turchiano in “Deathtrap” and “Glenn Gary Glen Ross” at Oregon Stage Works. Most recently he starred in “I Hate Hamlet” and will be appearing in “A Few Good Men” at the Camelot Theatre which opens February 2, 2011. Turchiano is also a computer software entrepreneur and an Asst. La Cross Coach at SOU. With his B.A. in Theater, Dayvin studied acting at the American Conservatory Theater and film acting at Yale. Turchiano chose to live in Ashland where he could enjoy family life and still be involved in theater. We met over lunch at Dragonfly in Ashland.

DT: My dream is to work with a company of actors in repertory, do different shows and perform a wide variety of work, even a small company. It doesn’t have to be a huge organization. I enjoy working with the same actors time after time, developing ideas in rehearsal, that’s the fun part.

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Robin Downward

Robin Downward
Robin Downward

Robin Downward, a gifted actor and theatrical entrepreneur, is currently planning SHREIK-TOBERFEST 2010, his big-themed theatrical Halloween event to happen in downtown Medford during late October.  Robin’s year-round project is the establishment of the community based Randall Theatre Company, whose mission has expanded to include art therapy programs. When we met at the Higher Education Center at Rogue Community College, Robin gave me an update on SHREIK-TOBERFEST 2010.

RD:  It’s sort of a traditional walk-through type haunted house with a lot more theatrics to it and a lot more lighting, sound, and plot-line. It’s this inter-active creepy experience with iconic October characters. The interactive experience expands the boundaries of the theater crowd.  The audience is subjected to theater through these events, even though they don’t know it. If I can sneak theater in somehow and entertain people, then my job has been done.

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Mike Jensen

Mike P. Jensen
Mike P. Jensen

I met Shakespeare scholar, Mike Jensen, and his wife, Cydne, while we were dining family-style at the exquisite new restaurant, Blue, Greek on Granite.  Jensen recently lectured at the Oregon Shakespeare Festival about OSF’s radio show, which aired between 1951 and 1984. He will be co-teaching a class on Shakespeare and Modern Culture with Geoff Ridden at Southern Oregon University this fall. This is an on-line interview.

EH: Shakespeare and popular culture, what’s the latest?

MJ: A Manga (a Japanese comic published as a paperback book) has just been released called Romeo X Juliet that sets the R&J story in a future repressive state with Juliet as a Zorro figure leading the rebellion; and I’m investigating the Japanese animated TV series that originated it.

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Presila Quinby

Presila Quinby has performed at The Oregon Shakespeare Festival,The Cabaret Theatre,and  Oregon Stage Works. At the Camelot Theater, Presila played The Widow in “Zorba”, Mama in “I Remember Mama”, Peggy Lee in ”Spotlight on Peggy Lee” and numerous other roles. A veteran of Broadway musical theatre, the attractive diminutive Presila would be perfect to portray Anna in “The King and I”.

As we sat in the shade at Ashland’s Rogue Valley Roasting Company one summer afternoon, Presila, a former ballerina, told me about her current project: choreography for Ashland Community Theatre’s new musical, “Illyria” based on Shakespeare’s “Twelfth Night”.

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Ian Swift

Ian Swift
Ian Swift

IS:  It’s so true, with acting; it doesn’t matter whether you are an extrovert or an introvert.  Even if you are an introvert you can be a very good actor, because you can hide behind that character.  I was an introvert most of my high school and college life as I recall, very quiet and kept to myself, but when I was on the stage I felt that I came alive, and I think that is true for a lot of actors.

EH:  What is it that is unique about theater?

IS:  I think it’s something you don’t do by yourself; it’s something that you have to involve others in.  Even if you are doing a one man show, you still have a producer, a light crew, sound, whatever.  It’s a team effort.  It’s unique in that respect.  It is a team sport.  With painting, composing, writing, it’s a solo thing.

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Bob Jackson Miner

Bob Jackson Miner
Bob Jackson Miner

Bob Jackson Miner plays Avram Cohen in “RAGS” now playing at the Camelot Theatre in Talent. Perhaps you saw his remarkable performances in “1776”, “Shenandoah”, and/or “Gigi”? A native of El Paso, Texas, Bob studied Music and Theater at the University of Texas while performing progressive country music in nightclubs. He came to Ashland to perform with the Oregon Cabaret Theatre and stayed. One morning, at his spacious music/video studio in Ashland, we talked about the actor, the audience, and the wonderful ride of theater.

BJM: From the moment we start, the audience is absolutely actively part of the artistic experience in theater. It is a relationship established between the artists on stage and the viewers in the audience. Their emotional input is actually the wave we ride. We can stir up the emotional wave, and we can ride it; but we do not own it. The audience owns it every bit as much as we do. Once they’re in, they’re like a cast member in the sense of what we co-create. It’s different every night because every audience is different.

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