Victoria Snow Mountain

Victoria Snow Mountain
Victoria Snow Mountain

From an after-school activity stemming out of her ESL classroom in South Medford High School, Victoria Snow Mountain developed an enduring and successful multicultural performance group. I met  Snow at El Tapatio Restaurant here in Ashland. As we enjoyed a scrumptious breakfast with her three delightful granddaughters, Snow described the evolution of her remarkable dance troupe, Ballet Folklórico.

EH: How does participating in Ballet Folklórico affect the character of its performers?

VSM: We’ve always seen that performing makes people feel poised and proud of themselves and have more self-assurance. Our vision is a community where the kids are poised and confident. Our mission is to empower kids to dance, and to feel comfortable with their cultural heritage, whatever their cultural heritage may be. We are preserving some of the cultural traditions of Mexico in particular, in the costumes and performances that we do. The majority of our dancers are Latino kids, yet our group is open to all people. Many of our dancers aren’t Latino. We are preserving and transmitting the traditional cultural values of respect, responsibility, and collaboration that are found not only in the Latino culture. Most cultures have that same basis, so it’s for everybody.

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Ron Danko: ‘Shakespeare’s Sonnets and a Will to Boot’

Ron Danko (left)
Ron Danko (left)

Rogue Community College’s theater director, Ron Danko, is launching an exciting project, titled ‘Shakespeare’s Sonnets and a Will to Boot’. We met to read sonnets in his office at Rogue Community College.

EH: What is your task with this material? What do you want to do with it?

RD: I want people to realize that the sonnets do speak, just as Shakespeare’s plays speak, to an audience today, regardless of how educated you are. They talk to us with the deepest most complex emotions, in terms of relationships and what happens in relationships, and the understanding of love. Think about it. How many actors who have done Shakespeare and theater, have really looked at the sonnets? They don’t.

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Alexandra Blouin and Christopher Bange: “Red, White, and Tuna”

Alexandra Blouin
Alexandra Blouin
Christopher Bange
Christopher Bange

Alexandra Blouin and Christopher Bange are the entire cast of “Red, White, and Tuna” now playing at the Oregon Cabaret Theater. She is luscious and lanky; he is solid with sad and mischievous eyes. They are “dating”. We got together at Pangea over steaming bowls of soup.

EH: How would you describe “Red, White and Tuna”?

CB: It follows the story of about twenty characters on a day in the life of the small town of Tuna, Texas. It’s definitely a fictional place, but completely real, because the gentlemen who wrote it are from a small town in Texas and are essentially doing their friends and family. They’ve made a thirty-some-odd year career with the “Tunas”. This is the third in a series of four. There’s “Greater Tuna”, and “Tuna Christmas”, then “Red, White and Tuna”, and now, “Tuna Does Vegas”. It’s not only a wonderful franchise, but they are touring it at the same time. They wrote it and perform it.

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Intercambio: Interview with Helena De Crespo

Helena de Crespo
Helena de Crespo

Actress Helena De Crespo is in Ashland developing a comprehensive multicultural theater project. The working title is “Intercambio”, created to enhance artistic communication within the various cultures within the Rogue Valley Community. Helena founded Cultural Centers both in Costa Rica and Colombia. Over tea at Pangea, she defined the initiatives of “Intercambio”.

EH: What is unique about this project?

HDC: What is unique is that it came from the community. People were saying, in various areas, that there is a huge reservoir of talent and potential audience in the Hispanic community that hasn’t opened-up as it could.

The whole initiative was to cover the performing arts in whatever way, shape, or form that it should manifest. As I had done so much work in Latin America, I seem to be an appropriate person to spearhead it. We’ve created a wonderful steering committee with highly dedicated, clever, and informed people. What has evolved is: there will be four initiatives.

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Helena de Crespo

Helena de Crespo
Helena de Crespo

Actress Helena de Crespo, last summer’s sensation in Oregon Stage Works’ “Shirley Valentine”, is spearheading a new project in the Rogue Valley. It’s called Intercambio, a multi-cultural theater project to integrate the arts and bring artists and audiences together, bridging the gap of ethnicity.

Fluent in Spanish and English, Helena has established theaters in Colombia, Costa Rica, and in the United States. Helena and I lunched at Pangea as she described her upcoming talent Showcase and the premier of a new play.

HDC: With the formation of this new organization, Intercambio, in the Rogue Valley, it seemed the best way to show the cultures to each other was to get them together, have a Showcase, and leave it up to them. And it’ll happen. It’ll be really exciting. There will be something from every age group, every ethnicity group, and everyone is welcome. We want to hear from everybody who thinks they can sing, dance, play a musical instrument, read a poem, do a scene from a play, anything that’s in the performing arts.

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Richard Heller of ‘Mousetrap’ discusses the craft

Richard Heller
Richard Heller

Richard Heller plays Major Metcalf in Oregon Stage Works production of Agatha Christie’s “The Mousetrap”. After acting, teaching, writing, and directing theater in California Richard is in Ashland to finish his education in Theatre Arts at Southern Oregon University. In the last six months Richard has played in “True West” and “Glengarry Glen Ross” at Oregon Stage Works, Blythe Spirit” at SOU, and now, “The Mousetrap.” We chatted at Noble Coffee Roasting one sunny afternoon.

EH: In “The Mousetrap,” Agatha Christie portrays a variety of eccentric characters in bizarre relationships.

RH: She does manage to create a lot of suspense with that dynamic of suspicion and intrigue. There’s the whole madness theme, the schizophrenic thing. Everyone in the play is accused of being a little bit mad. There’s a whole question of identity that runs through the play. Who is anybody really? There’s this whole question of how well we know anyone.

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The Hamazons

The Hamazons
The Hamazons

Since 1999, The Hamazons, the Rogue Valley’s Warrior Princesses of Comedy, have been empowering audiences with laughter through improvisational theater. I met with three of the four comedians, Carolyn Myers, Eve Smyth, and Cil Stengel, in a cozy cottage in Ashland.

EH: Are The Hamazons political?

CM: We’re politically responsive. We respond to the zeitgeist of the times, what the audience is interested in and what we’re reading about. We don’t develop stuff around issues. We never say, “We want to do something about trade relations with China or zombie banks.” We don’t do that.

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