Tag Archives: Actress

Danielle Kelly

Danielle Kelly
Danielle Kelly

Southern Oregon University Theatre Arts graduate, Danielle Kelly, is now performing with the Paul Schmeling Trio Monday nights at Martino’s, as well as acting in film and theater. One afternoon, we mulled over the nature of performance, jazz and theater while lunching on Martino’s minestrone.

DK: I’m feeling creatively fulfilled. I feel really fortunate to be in a band that gigs quite often and has a solid, steady show. It’s incredibly special. I’ve decided against moving to a bigger city for the moment. Ashland has something very special because you can do whatever you want.

EH: How is working in music, especially jazz, different than working in theater?

DK: Musicians and actors are the same sort of species, but it is very different. Music is so immediate; a song is a shorter story; the process is a lot quicker. When you get to performance, people can come and listen, then tune in and out of the music, be really captured by a song or get up and dance to it. It takes a little more attention to take in a theater performance. A play is a lot bigger production.

With theater, the rehearsal is more intensive and scripted and planned. The structure of what you do is different. Theater takes rehearsals every night. You start from the script, and, “what’s my body going to do?” And, “where am I going to go when I say this line? How do I say it when?” Stopping and pausing for the audience here, and collaborating and playing off other people. It’s a lot more involved.

Continue reading Danielle Kelly

Diane Nichols

Diane Nichols
Diane Nichols

Diane Nichols plays Sylvia, the hip homemaker turned religious crusader, in “End Days,” Ashland Contemporary Theatre’s up-to-the-minute comedy playing at the Bellview Grange. A veteran of theater, films, voice-overs and commercials, Nichols is also a writer. We met at Noble Coffee Roasting early one afternoon to talk about writing, acting and “End Days,” which I directed.

EH: You’re a writer as well as an actress?

DN: I write mostly comedies. I’ve written a lot of one-acts. Right now, I’m working on three full-length plays at the same time. I’m finishing a novel; and I write poetry all the time.

EH: How does being in theater affect your family life?

DN: We just have a theatrical family. From a very early age, my son would stand up after dinner and start making up songs on the spot. Or, for the entire dinner, we would all be speaking in Irish accents. It’s a very free environment, and the kids are always free to experiment. They always had art materials and puppets out, and we would make up games and screenplays. It’s sort of an ongoing play, so it didn’t seem separate to me.

Continue reading Diane Nichols

Chris Sackett and Tara Watkins

Chris Sackett
Chris Sackett
Tara Watkins
Tara Watkins

“Alice Through the Looking Glass,” directed by Chris Sackett, opens Feb. 11 at Southern Oregon University’s Center Square Theatre. Tara Watkins plays Alice. Sackett, Watkins and I met in the SOU Theatre Arts Department one afternoon to discuss the production of the new adaptation by SOU alumnus Craig Jessen.

EH: Is “Alice Through the Looking Glass” done in modern times?

CS: It’s done in “dream time.” Lewis Carroll, Charles Dodgson (his real name), was writing during Victoria’s time. We have roughly moved up the time of our real world to Edwardian, but once we get through the Looking Glass, it’s dream time. It’s not specific to a given time.

EH: What do you have in store for us visually?

CS: In Looking Glass world, we go through a variety of environments. We’re in the small space, it’s intimate, and Looking Glass space is going all the way to the walls. A basic conceit of the story is, “Let’s pretend. Let’s expand our horizons.” We are going to be doing some experimental approaches to establishing environment.

Continue reading Chris Sackett and Tara Watkins

Lisa McCormick

Lisa McCormick
Lisa McCormick

Throughout Oregon Shakespeare’s 2010 Season, actress Lisa McCormick captivated audiences as the loveable Amalia Balash in the musical, “She Love’s Me”. Before Lisa left to pursue her career in New York she took some time to meet with me at Allyson’s Kitchen with her uncle and mentor, Robert McCormick.

EH: What attracts you to a life in the theater?

LM: From a young age, what drew me to theater were the people, the home that I found among a group of people who were similarly minded, artistically minded. But, as I’ve gotten older, I’ve found that what has been carrying me through is having a perspective that I wanted to share, having a story that demands to be told. And it’s a different story every time. I think that there’s a line through all of these things. I enjoy women who have a great deal of vulnerability, and in that great strength, who are not afraid to be afraid and move forward. The deeper my life experience has become, the more I have traveled, the more I’ve loved and lost, the deeper my experience becomes not only of my life, but also my art. That journey is deepening and continuing to deepen. It’s almost like a Chinese finger trap; the further my finger goes in the harder it is to get out. I’m just stuck, and I’m falling more and more in love with it every day.

Continue reading Lisa McCormick

Lyda Woods

Lyda Woods
Lyda Woods

Actress/writer Lyda Woods recently directed the remarkable series of theatrical pieces, “Ripe Harvest” performed at the Ashland Senior Center in October. Her Gumshoe Gourmet, an entertainment production company, partners with historical sights to stage murder mysteries. Her next production has the intriguing title of: “A Bed, A Baby, A Door, Detroit, and a Bowel Problem.” I met Woods at the Downtowne Coffee House in Talent,

EH: For you, what is the relationship of family to theater?

LW: I think theater gives me insight into my family, my family dynamics, all that kind of stuff. Theater is a way for me to explore my family, through the pieces I write.  And theater, in a sense, becomes my family. I feel very close to the actors I collaborate with and a number of them have become like family members to me. We understand each other in a way that real family members don’t.

Continue reading Lyda Woods

Presila Quinby

Presila Quinby has performed at The Oregon Shakespeare Festival,The Cabaret Theatre,and  Oregon Stage Works. At the Camelot Theater, Presila played The Widow in “Zorba”, Mama in “I Remember Mama”, Peggy Lee in ”Spotlight on Peggy Lee” and numerous other roles. A veteran of Broadway musical theatre, the attractive diminutive Presila would be perfect to portray Anna in “The King and I”.

As we sat in the shade at Ashland’s Rogue Valley Roasting Company one summer afternoon, Presila, a former ballerina, told me about her current project: choreography for Ashland Community Theatre’s new musical, “Illyria” based on Shakespeare’s “Twelfth Night”.

Continue reading Presila Quinby

Gloria Rossi Menedes

Gloria Rossi Menedes
Gloria Rossi Menedes

If you were lucky enough to see Oregon Stage Works’ Playwrights Unit’s last series of plays, “Seven Deadly Sins”, you saw seasoned Broadway actress, Gloria Rossi-Menedez, give delightful performances in six of them.

Gloria’s new restaurant, Blue – Greek on Granite, has been an overwhelming success. It’s a family enterprise, which she shares with her husband, George, daughter, Thea, soon to be joined by son, Alexi. As we dined on the outdoor patio of Blue, Gloria and I talked about the “Greek mystique”.

When Gloria and I were in our teens, we spent six months studying at the University of California’s Classical Theater campuses in Athens and Delphi, Greece. During our stay, the country was suddenly locked in a military coup, and we learned valuable lessons about politics and the power of theater.

Continue reading Gloria Rossi Menedes