Tag Archives: Actress

Jennifer Phillips

Jennifer Phillips
Jennifer Phillips

“Love’s Not Time’s Fool” features Jennifer Phillips acting and singing in many of the forty-eight Shakespeare sonnets in music, song, and drama, opening Friday May 14, at Rogue Community College in Medford, directed by Ron Danko and produced by Jon Cole.

After studying at the American Musical and Dramatic Academy in New York, Jennifer came to RCC and performed as Countess Aurelia in the “Madwoman of Chaillot”. Last year she played a delightful Portia in RCC’s “Merchant of Venice”. Jennifer plans study drama at Portland State University next fall. We visited in the drama office of RCC’s “Off the Crate” Warehouse where the production was busily being mounted.

EH: Do you think theater is effective communication?

JP: If people are open-minded, there’s a message pretty much behind everything that’s done. Ron Danko and Jon Cole always have some point that they’re especially trying to get across.

EH: What was their point with the “Merchant of Venice”?

JP: It was a wake-up call to people. “Merchant of Venice” had a lot do with racial tensions in the world and hypocrisy and the way that people present themselves and don’t live up to their own values and morals. Everybody’s got good, and everybody’s got bad. You can’t just stand there and judge people.

EH: Of all the plays that you have done here, what was your best experience?

JP: “Madwoman of Chaillot”; the camaraderie within the cast was beyond compare. There was love among the cast, and the message was love. It was a beautiful experience.

EH: What is it about theater that is so exciting?

JP: There’s a truth of spirit in theater. We live in a world where we walk around with walls up all of the time. We’re afraid of what people will think of us, we’re afraid to be ourselves. We’re afraid to express any aspect of our being, really. We just keep ourselves closed off at all time. It’s a self-defense mechanism, and necessary in the brutal world that we live in. But you get into a theater, and it’s a space of trust. It’s a space where you can let those walls down and express your true being. You can be true to emotions without the repercussions of judgment. It’s a safe place. It’s a haven.

EH: Some people think that acting is dangerous.

JP: You’re vulnerable, it’s true. But if you don’t risk anything, you never grow. If you let yourself go with whatever emotion you need to be feeling or with the purpose you’re trying to express, then the potential is limitless: to the audience, what they can get from it, and to yourself, how you can grow from the experience.

EH: Why did you change your Major from Math to Drama?

JP: I grew up believing that you should follow your dreams. I’m not a materialistic person, but I need to be able to survive. Even if I work at a coffee shop the rest of my life, I still could do what I love. That’s the real happiness in life; so drama has become my intended major.

EH: How does theater affect your family?

JP: I come from a family that is very supportive. I’m a much happier person when I’m involved in something. They see the change in me. It brings such light to my being. They’re my biggest fans.

“LOVE’S NOT TIME’S FOOL” plays Friday – Sunday, May 14 – 16 & 21 – 23, Friday & Saturday at 8 p.m., Sunday at 2 p.m. & 7 p.m. $10 for Adults, $5 for students. For tickets and information call 245-7637.

Alexandra Blouin and Christopher Bange: “Red, White, and Tuna”

Alexandra Blouin
Alexandra Blouin
Christopher Bange
Christopher Bange

Alexandra Blouin and Christopher Bange are the entire cast of “Red, White, and Tuna” now playing at the Oregon Cabaret Theater. She is luscious and lanky; he is solid with sad and mischievous eyes. They are “dating”. We got together at Pangea over steaming bowls of soup.

EH: How would you describe “Red, White and Tuna”?

CB: It follows the story of about twenty characters on a day in the life of the small town of Tuna, Texas. It’s definitely a fictional place, but completely real, because the gentlemen who wrote it are from a small town in Texas and are essentially doing their friends and family. They’ve made a thirty-some-odd year career with the “Tunas”. This is the third in a series of four. There’s “Greater Tuna”, and “Tuna Christmas”, then “Red, White and Tuna”, and now, “Tuna Does Vegas”. It’s not only a wonderful franchise, but they are touring it at the same time. They wrote it and perform it.

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Intercambio: Interview with Helena De Crespo

Helena de Crespo
Helena de Crespo

Actress Helena De Crespo is in Ashland developing a comprehensive multicultural theater project. The working title is “Intercambio”, created to enhance artistic communication within the various cultures within the Rogue Valley Community. Helena founded Cultural Centers both in Costa Rica and Colombia. Over tea at Pangea, she defined the initiatives of “Intercambio”.

EH: What is unique about this project?

HDC: What is unique is that it came from the community. People were saying, in various areas, that there is a huge reservoir of talent and potential audience in the Hispanic community that hasn’t opened-up as it could.

The whole initiative was to cover the performing arts in whatever way, shape, or form that it should manifest. As I had done so much work in Latin America, I seem to be an appropriate person to spearhead it. We’ve created a wonderful steering committee with highly dedicated, clever, and informed people. What has evolved is: there will be four initiatives.

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Helena de Crespo

Helena de Crespo
Helena de Crespo

Actress Helena de Crespo, last summer’s sensation in Oregon Stage Works’ “Shirley Valentine”, is spearheading a new project in the Rogue Valley. It’s called Intercambio, a multi-cultural theater project to integrate the arts and bring artists and audiences together, bridging the gap of ethnicity.

Fluent in Spanish and English, Helena has established theaters in Colombia, Costa Rica, and in the United States. Helena and I lunched at Pangea as she described her upcoming talent Showcase and the premier of a new play.

HDC: With the formation of this new organization, Intercambio, in the Rogue Valley, it seemed the best way to show the cultures to each other was to get them together, have a Showcase, and leave it up to them. And it’ll happen. It’ll be really exciting. There will be something from every age group, every ethnicity group, and everyone is welcome. We want to hear from everybody who thinks they can sing, dance, play a musical instrument, read a poem, do a scene from a play, anything that’s in the performing arts.

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The Hamazons

The Hamazons
The Hamazons

Since 1999, The Hamazons, the Rogue Valley’s Warrior Princesses of Comedy, have been empowering audiences with laughter through improvisational theater. I met with three of the four comedians, Carolyn Myers, Eve Smyth, and Cil Stengel, in a cozy cottage in Ashland.

EH: Are The Hamazons political?

CM: We’re politically responsive. We respond to the zeitgeist of the times, what the audience is interested in and what we’re reading about. We don’t develop stuff around issues. We never say, “We want to do something about trade relations with China or zombie banks.” We don’t do that.

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Katie Falk

Katie Falk, plays Belle and the covetous Laundress in “A Christmas Carol” now at Oregon Stage Works. She began her acting career as a child under the direction of her mother, Dianne Warner. Since then, Katie has grown into an accomplished actress, singer, and vocal coach. She’s played numerous roles at Camelot Theatre, including Lily in “Carnival”. We got together one sunny afternoon at Starbucks next to Southern Oregon University.

EH: Have you thought of doing opera?

KF: I did for many years. But I wanted to move, and I wanted to be expressive. In opera you get to be incredibly expressive, but it’s literally almost entirely from your voice, like a violin. There expression doesn’t come from body movement, and that was something I wanted to do. It’s just a different kind of art. So, I decided I wanted to do musical theater.

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Tami Marston and Mark Turnbull

Tami Marston and Mark Turnbull
Tami Marston and Mark Turnbull

Tami Marston and Mark Turnbull share the musical direction of Truman Capote’s “Holiday Memories,” now playing at Oregon Cabaret Theatre. Tami and Mark perform in the show, as well. Mark is cast as Guitarist. He strolls through the stage action playing and singing his original music. Tami plays Woman, a series of memorable characters who enter and exit bringing color and humor to the various vignettes throughout the play. We got together over tea on one snowy afternoon.

EH: How many characters do you play?

TM: I play eight roles from age 1to 104 (in eight wigs), including Mrs. Ha-Ha, the saloon singer, with the Christmas bar song.

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