"The form becomes one with the content, and that's where the power lies." — Mark Turnbull
Mark Turnbull has had a long and fruitful career in music and theater. When he was 17 he signed with Reprise Records with his recording, “Portrait of the Young Artist.” His music has been described as folk-jazz, which he depicts as “a cross between Burl Ives and Thelonious Monk.” Last fall Mark played Dog Kelly in his own musical, “Tales of Fannie Kennan Better Known as Dora Hand,” at the Oregon Stage Works.
EH: You’ve spent almost your entire life in music and theater. Is there any time that you did anything else?
MT: There were two years when I was seven and eight, when I was in little league. I put down the ukulele for two years.
"When the actors do a good job, they put pressure on me to equal them, and I put pressure on them to equal my work. That's what makes it fun." — Mike Halderman
EH: How did you become a technical director? Isn’t your degree in music?
MH: I have a teaching credential in music from Sacramento State University. I taught for a while and then I got involved in community theater.
EH: So then you went to SOU to the undergraduate program?
MH: Yes, in 1990. My wife was a teacher and I had kids in high school. I went to Southern Oregon University (SOC at the time) to be an actor. I was doing some technical theater classes, and I said, “I’m really good at this.” I decided that I could graduate in two years because I already had a degree, and I didn’t have to do any of the undergraduate pre-requisites. I took lighting, sound, and scene design, theater business management, costuming, makeup — I did a painting internship at OSF one semester. I graduated with a BFA in scene design.