Tag Archives: RCC

Jennifer Phillips

Jennifer Phillips
Jennifer Phillips

“Love’s Not Time’s Fool” features Jennifer Phillips acting and singing in many of the forty-eight Shakespeare sonnets in music, song, and drama, opening Friday May 14, at Rogue Community College in Medford, directed by Ron Danko and produced by Jon Cole.

After studying at the American Musical and Dramatic Academy in New York, Jennifer came to RCC and performed as Countess Aurelia in the “Madwoman of Chaillot”. Last year she played a delightful Portia in RCC’s “Merchant of Venice”. Jennifer plans study drama at Portland State University next fall. We visited in the drama office of RCC’s “Off the Crate” Warehouse where the production was busily being mounted.

EH: Do you think theater is effective communication?

JP: If people are open-minded, there’s a message pretty much behind everything that’s done. Ron Danko and Jon Cole always have some point that they’re especially trying to get across.

EH: What was their point with the “Merchant of Venice”?

JP: It was a wake-up call to people. “Merchant of Venice” had a lot do with racial tensions in the world and hypocrisy and the way that people present themselves and don’t live up to their own values and morals. Everybody’s got good, and everybody’s got bad. You can’t just stand there and judge people.

EH: Of all the plays that you have done here, what was your best experience?

JP: “Madwoman of Chaillot”; the camaraderie within the cast was beyond compare. There was love among the cast, and the message was love. It was a beautiful experience.

EH: What is it about theater that is so exciting?

JP: There’s a truth of spirit in theater. We live in a world where we walk around with walls up all of the time. We’re afraid of what people will think of us, we’re afraid to be ourselves. We’re afraid to express any aspect of our being, really. We just keep ourselves closed off at all time. It’s a self-defense mechanism, and necessary in the brutal world that we live in. But you get into a theater, and it’s a space of trust. It’s a space where you can let those walls down and express your true being. You can be true to emotions without the repercussions of judgment. It’s a safe place. It’s a haven.

EH: Some people think that acting is dangerous.

JP: You’re vulnerable, it’s true. But if you don’t risk anything, you never grow. If you let yourself go with whatever emotion you need to be feeling or with the purpose you’re trying to express, then the potential is limitless: to the audience, what they can get from it, and to yourself, how you can grow from the experience.

EH: Why did you change your Major from Math to Drama?

JP: I grew up believing that you should follow your dreams. I’m not a materialistic person, but I need to be able to survive. Even if I work at a coffee shop the rest of my life, I still could do what I love. That’s the real happiness in life; so drama has become my intended major.

EH: How does theater affect your family?

JP: I come from a family that is very supportive. I’m a much happier person when I’m involved in something. They see the change in me. It brings such light to my being. They’re my biggest fans.

“LOVE’S NOT TIME’S FOOL” plays Friday – Sunday, May 14 – 16 & 21 – 23, Friday & Saturday at 8 p.m., Sunday at 2 p.m. & 7 p.m. $10 for Adults, $5 for students. For tickets and information call 245-7637.

David Rowley

David Rowley
David Rowley

David Rowley, former ad-man and eternal Beatle-maniac, is making his acting debut in “LOVE’S NOT TIME’S FOOL”, Ron Danko’s adaptation of the sonnets of William Shakespeare, opening Friday, May 14, at Rogue Community College in Medford. I met David, who sports a slight Yorkshire accent, in the lobby of the Higher Education Center on the Riverside Campus for “a few giggles”. We were joined by director, Ron Danko.

EH: How is it that you’re here acting?

DR: I’ve always been interested in acting, but I owned an advertising agency, and my working life took so much of my energy and time. It’s just that I throw myself into whatever I do, and give it my all. I just knew that there was nothing left. Having been involved in this production for the last month, I see how much time and energy it takes, I was right-on about that. I’m really enjoying it a lot. And it’s a big-time challenge for me. It’s a challenge to learn the lines. But the fun begins once the lines are learned.

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Ron Danko: ‘Shakespeare’s Sonnets and a Will to Boot’

Ron Danko (left)
Ron Danko (left)

Rogue Community College’s theater director, Ron Danko, is launching an exciting project, titled ‘Shakespeare’s Sonnets and a Will to Boot’. We met to read sonnets in his office at Rogue Community College.

EH: What is your task with this material? What do you want to do with it?

RD: I want people to realize that the sonnets do speak, just as Shakespeare’s plays speak, to an audience today, regardless of how educated you are. They talk to us with the deepest most complex emotions, in terms of relationships and what happens in relationships, and the understanding of love. Think about it. How many actors who have done Shakespeare and theater, have really looked at the sonnets? They don’t.

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HOT L BALTIMORE

John Cole
John Cole

John Cole, director of Lanford Wilson’s “HOT L BALTIMORE,” shared his thoughts on the play during early rehearsals.

JC: A lot of it is boldfaced honest raw humor that’s really funny. “HOT L BALTIMORE” is the HOTEL BALTIMORE neon sign with the “E” burnt out. The play is about a beautiful old hotel now fallen into disrepair and inhabited by street hustlers, prostitutes and senior citizens. These people are living in the margins and have nowhere to go. While trying to get by living in this hotel, they get notice that the wrecking ball is going to tear down the joint.

“HOT L BALTIMORE” is what happens to those marginal people in dire economic straights when our society is bent on creating a shiny new future, and we forget about moving forward with our hearts. It helps us remember those people we walk past on the streets. It helps us remember how valuable they are.

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Ron Danko

Ron Danko (left)
Ron Danko (left)

If you have seen plays at Rogue Community College’s Riverside Theater, you have seen productions directed by the team of Ron Danko and John Cole — important plays with large casts, high production values and superb direction. Their comedies are especially joyous, with highly imaginative staging and impeccable comic timing. Their next production, “Hot L Baltimore,” runs May 1 to May 17.

Ron Danko has spent his life in theater. He has been an actor, director and educator. He began his career by doing stand-up comedy, touring in two-man comedy teams. After earning an MA from Southern Illinois University he went on to pursue additional postgraduate work in theater at Southern Oregon University and the University of Oregon. He has established a number of large Shakespeare festivals and created theaters and college theater programs in the western United States, including The Western Stage in Salinas, Calif. Ron has been directing plays with John Cole since 2004 at RCC, where he currently teaches Communications.

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Cabaret’s Mark Barsekian

"Maybe it's the schizophrenic in us all that just wants to be everybody all of the time." — Mark Barsekian
Mark Barsekian
Mark Barsekian

EH: So you’re basically an actor?

MB: I love to explore life through the characters I perform. Acting is my retreat. It’s when I don’t have to be me. Maybe it’s the schizophrenic in us all that just wants to be everybody all of the time. Any life that I want to live, I can, just by picking up a script, and doing the homework and dedicating my self to a character and to an author, and being true to what I see: in life and in the text. Because we portray life, we are communicating lives to our audiences, people that they know or will never know. That is one of the gifts of acting.

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