Playwright Lynne Kaufman has authored 20 plays since her first play, “Couch,” a romantic comedy about Sigmund Freud, Carl Jung and Jung’s marriage, premiered in 1984 at San Francisco’s Magic Theatre. We visited in College Hall at the University of London.
New Camelot Theatre Artistic Director Shawn Ramagos is the director and designer of “Priscilla, Queen of the Desert — The Musical,” which opens on July 11. Ramagos brings considerable classical theater training and technical expertise to his new position. After studying acting and directing at Northwestern University, Ramagos went on to become a lighting and special effects technician for Disney. He was selected out of 53 candidates as a result of a nationwide search. We met in the board room of the Camelot Theatre.
SR: I think that the people that came before me put the theater in an extremely good place. We’re very lucky that we have the donors and the patrons that really want to see us take it to the next level. For a new artistic director, the fact that our building will be paid off by the middle of July is a great place to start.
As an artistic director of a theater, you have to have your hands in a little bit of everything, so you make sure that the standards that you create for the theater are kept. I think that we’re here to meet the challenge and bring the Camelot Theatre into the next phase of development. Continue reading Mixing up the theater lineup to entertain all ages→
The second prize was for a series of articles explaining the kinds of environmental damage that agriculture does: Things like soil erosion, overuse of chemicals, and depletion of water supplies. A lot of land that shouldn’t be plowed or farmed was being used because of the pressure to produce products. Modern agriculture is a great industry but it can sometimes have a huge impact on the environment.
In the past four years,the past four years, Kay Hilton, Education & Engagement Director of the Britt Music & Arts Festival, has developed FREE year-round music education programs serving Jackson and Josephine counties. Hilton, an accomplished musician and educator, brings with her expertise, much of it gleaned during 18 years as a performer and music coordinator at the Oregon Shakespeare Festival.
Britt Education and Engagement programs include residencies which bring musicians into schools during the school year; an annual guitar weekend: a three-day exploration of guitar styles; fellowship programs in which students perform with members of the Britt Orchestra, then form chamber ensembles to provide outreach performances in the community; BrittKids Koncerts (mid-morning performances for children in the Britt Performance Garden); and internships and partnerships with educational and like-minded organizations.
I met Hilton one morning at Limestone Coffee Company in Medford.
EH: How does music education affect children?
KH: There is a lot of research about the positive things that music education does for brain development. It helps in a variety of ways. It helps you learn how to read music, which affects different parts of your brain. There’s a new study recently that talks about how the study of music helps you learn languages better, because you’re hearing different tonal qualities and getting used to memorizing what those are. And that can help you recognize different languages and learn languages more quickly. There’s been a lot of research on how it helps with math ability. Continue reading Britt educator brings joy to students lives→
Teddy Abrams, music director of the Britt Orchestra and a world renowned composer, pianist and clarinetist, will conduct The Britt Orchestra this season (July 25 to Aug. 11) in Jacksonville. This is the second of a two-part column. The first was published on May 26.
EH: How does music influence politics?
TA: It’s one of those questions of whether art imitates life or vice versa. You look at eras of American history and you see remarkable relationships between history and music, or politics and music — even beyond that, sociology and music. The defining characteristics of a lot of cultures are in fact their music making and their cultural output – those are binding elements.
Music is a way of conveying essential information, a way of defining identity. Especially in America, where our music comes from so many different places. We’ve often used it in ways to help us sort out our identities — and we see that over and over.
Jazz is one of the great examples of a music that is built on many different influences. But it’s this ultimately defining African-American music that could only exist (here), given the political circumstances of America. And that continues to this day.
Music is both political and apolitical. The protest songs of the Vietnam era probably had as much influence on people’s thinking about politics as anything. You had these bands and singer-songwriters with massive reach, and trust that they built, and people really listened to what they were saying, in a way that they may have ignored listening to other activists or speakers or politicians. Somebody could listen to a Bob Dylan song or Beatles song with a very specific message, but if they didn’t speak the language, they could still appreciate the music making. Continue reading The Britt — A beautiful experience in a community atmosphere→
Teddy Abrams, music director of the Britt Orchestra, has been has been conducting orchestras since he was 10. Now in his early 30s, Abrams conducts the Britt Orchestra in Jacksonville, is music director of The Louisville Orchestra, and has appeared with prominent orchestras around the world. I met with Abrams and Mark Knippel, Britt’s director of artistic operations, as they were planning their coming season.
MK: There’s been quite an exciting development. The piece that we commissioned turned out to be much longer and more intense than we thought it would be.
TA: It’s a 50-minute giant song cycle, with back-up singers, and all kinds of interesting instruments. It’s a piece about homelessness: It’s a significant issue in Southern Oregon. Gabriel Kahane’s “emergency shelter intake form” is almost musical journalism; he spent time with the homeless population. Continue reading Britt commission turns out to be about homelessness→
Jackie Apodaca, a professor of theater at Southern Oregon University, has co-written the book “Answers from ‘The Working Actor’” with actor Michael Kostroff (best known for his five seasons on HBO’s ”The Wire”). Taken from the actor’s trade paper “Backstage,” the book gives a fascinating picture of the complex and confusing world of the acting profession.
Written in the style of advice to the lovelorn, “Answers” consists of years of words of wisdom given to struggling actors who have written to them, signing off with such names as Frustrated, Beyond Confused, Confused Yet Determined, and Lost in La La Land. They offer solid research and techniques to navigate the ins and outs of such a daunting environment. I chatted with Apodaca over lunch at Greenleaf Restaurant in Ashland.
EH: What is your best advice?
JA: There’s no one answer to any question. The only people you can trust are the people that say they “don’t know.” If they say: “This is what you have to do,” they’re lying. In the book I’m constantly saying, “I think this, but some people say this,” or “Here are the 15 different paths you could take.” I try to frame everything in that mind set. Hopefully if people can take away, “Don’t believe anything anyone tells you. It’s going to be different for you.” That’s probably my best piece of advice. Continue reading Dear Working Actor, What’s the path to acting success?→