The Queen of Camelot

I want to hold the mirror up to society. I try to do shows, that highlight the best in us, and sometimes it means highlighting the worst. — Livia Genise
Livia Genise
Livia Genise

With her fine bones and raven curls, Livia Genise is a musical comedy diva. But visiting over coffee at Bloomsbury’s café, I found she is also a serious artist with remarkable integrity.

EH: Does anyone ever call you the Queen of Camelot?

LG: You know, one of the reasons we call it Camelot is that I envision a round table where everyone is valued. There doesn’t need to be somebody that is at the head, but I’m responsible for the quality of what we do.

I try to do shows each year that are thoughtful, but also bring in the audience. It’s hard to sell shows with dark subjects. I usually do something each year that is not making Camelot’s political statement, but that is thought provoking. My first year the play was “The Music Lesson,” which was about the war in Sarajevo, the siege, and how it affected artists and children. That was powerful and very well attended.

Continue reading The Queen of Camelot