Peter Alzado (Oregon Stage Works’ former Artistic Director) is engaged in the creation of a new theater called the NEXT STAGE Repertory Company. One afternoon, we met at Medford’s Craterian Theater, where Alzado is currently in rehearsal for Lanford Wilson’s Pulitzer prize-winning play, “Talley’s Folly.” We then settled down with tea at nearby Grilla Bites.
EH: What makes a good director?
PA: I think great directors want an ordered world. They need to be able to have a real feeling for space, and how to communicate through space. They need to have an empathetic response to their actors. And they need to have a real sense of literature, and how to communicate those themes through the words that the writer has given them.
I’m not a big fan of, “Let’s do a concept.” I can see the value of it on occasion, but I’m much more aligned with getting out of the way and letting the material speak. If you find a way to allow the material to speak for itself the ideas that you have will enhance the material, and you’ll be dealing thematically with what the play is about. If you do that, I think you’ll have a real visceral impact depending on the writing and the themes. If you don’t do that, the impact and the audience response is intellectual and self-congratulatory. I sometimes find it off-putting. It’s like having somebody in an audience laugh at everything a friend does. I think that directing now is very much aligned to the technical aspects of the theater and less so to the acting.