EH: Do you have a theory or method of acting?
AE: I had great teachers at Boston University. I had a fantastic physical acting teacher named Elaine Vaan Hogue who changed my view of what acting could be. Everyone has methods that work for them; a lot of times, we just take bits and pieces from here and there.
The Stanislavsky and Meisner techniques were fascinating to me, but they were very intellectual. I don’t think they actually work for me. I had a hard time applying them to my character. Whereas physical acting for me was, “Oh this, I can get.” It was eye-opening for me, that I didn’t have to write down every tactic and all my verbs: which is really cool; but it just doesn’t work for me. I need to have a very strong understanding of the language. Physicality helps me understand the characters, an understanding of who they are in their bodies. Continue reading What actors want: to tell stories