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Pat O’Scannell on the allure of early music


Pat O'Scannell (2)

Pat O’Scannell is now in her fourth year as director of Musica Matrix, a nonprofit music organization promoting early music in the Rogue Valley.

O’Scannell spent 27 years at the Oregon Shakespeare Festival as a singer and multi-instrumentalist, then as music director with her ensemble, The Terra Nova Consort, in residence.

I have had the pleasure of listening to two of The Terra Nova Consort’s superb CDs: “Renaissance en Provence” and “¡Baylado! Music of Renaissance Spain.” I recently chatted with O’Scannell about her love of early music.

PO: This music is incredibly beautiful. I believe that a lot of people haven’t heard early music, or they haven’t heard the type of early music that would appeal to them. We are talking about 600 years of music, going back to the Middle Ages. It rivals any music that was written from the time of J.S. Bach on.

When I think back on my classical training, I’ve loved about 75% of it. There was about 25% that was a bit too bombastic for my taste. My personal taste was toward Chopin rather than Rachmaninoff. I like the delicacy and intricacy of something, where I can hear the individual lines as opposed to something that is very heavy handed. Continue reading Pat O’Scannell on the allure of early music